The Grundy Art Gallery was founded in 1911 by the brothers John and Cuthbert Grundy, and has been at the centre of cultural and artistic life in the town for over 100 years.
It began with the ambition to show the best art of the day to the people of Blackpool, and this sentiment remains at the heart of what they do today as a leading contemporary art gallery in the North West.
The Grundy aims to inspire audiences through an ambitious and varied year-round exhibitions programme that draws on the unique and invigorating context and heritage of Blackpool, for instance exploring the space between contemporary art, entertainment and popular culture. Recent exhibitions have featured works by celebrated and critically acclaimed artists including Emma Hart & Jonathan Baldock, Mark Leckey, Martin Creed, Brian Griffiths, David Hockney, Pierre Huyghe, Heather Phillipson, Susan Philipsz and Matt Stokes.
Current Opening Hours
Admission is Free: Tuesday – Saturday 11am – 4pm (last admission 3.40pm. Closed Sunday & Monday). These are temporarily amended opening hours until further notice.
The Grundy Art Gallery has now signed up to and obtained the new VisitEngland ’We’re Good To Go’ Covid safe industry standard. To obtain the standard, businesses and attractions must show that they have carried out a Covid-19 risk assessment and are adhering to all of the latest government guidelines and making necessary changes around social distancing, staff training and health and safety.
Blackpool’s Grundy Art Gallery is delighted to announce details of its upcoming summer 2021 programme which includes two linked exhibitions one taking place inside and one outside of the gallery, both of which explore our past, current and future relationship to the seaside.
Grundy Art Gallery doors will first open for the indoor exhibition of ‘Seaside:Photographed’ on Saturday 24 July between 3-5pm which can then can be viewed during normal gallery opening hours until 11 September.
In addition, #WorkTownGhostTown which can already be viewed outside on the glass panels that form part of Grundy’s forecourt brings together the work of local photographers who have been documenting Blackpool over the last 16 months.
EXHIBITION 1 SEASIDE:PHOTOGRAPHED
24 July – 11 September, Ground floor gallery spaces
Taking place across all of the Grundy’s ground floor gallery spaces, this major exhibition looks at the relationship between photography and the British seaside from the 1850s to the present.
Images of the beach, hotel life, the holiday camp, dressing up and dressing down, wild waves and coastlines all combine to create a rich picture of our resorts.
As well as featuring the work of well-known photographers including Jane Bown, Vanley Burke, Bill Brandt, Anna Fox, Paul Nash, Martin Parr, and Markéta Luskačová, the curators have included rich and often unknown work from across photography’s history, including Raymond Lawson’s remarkable chronicle of family life in Whitstable.
Dafydd Jones, Barry Lewis, and Daniel Meadows all photographed at Butlins in the 1970s and Grace Robertson records the raucous goings-on of a women’s day out to the coast in the 1950s. Enzo Ragazzini captures the anarchy of the 1970 Isle of Wight festival, while Stuart Griffiths makes a bleak narrative of the 1990 rave scene in Brighton.
Curated by Val Williams and Karen Shepherdson, Seaside: Photographed is a touring exhibition organised by Turner Contemporary.
The exhibition was presented at Turner Contemporary in summer 2019, touring to John Hansard Gallery in Southampton and Newlyn Art Gallery & The Exchange in Newlyn before arriving in Blackpool this summer. A hardback catalogue of by Val Williams and Karen Shepherdson, to accompany the exhibition is available from the Grundy shop.
As part of this project, Grundy Art Gallery’s Education Officer, has commissioned artist Amber Akaunu to work with early years children to explore what it is like to live in Blackpool and how they feel their town should be represented. These reflections will then be translated into a range of new souvenirs which will be fabricated and displayed as part of Seaside:Photographed.
This exhibition has been made possible with from Arts Council England’s Strategic Touring Fund and as a result of the Government Indemnity Scheme. Grundy Art Gallery would like to thank HM Government for providing Government Indemnity and the Department for Digital, Culture, Media and Sport and Arts Council England for arranging the indemnity.
Image credit: Down to the Beach 1959 Photogapher Raymond C Lawson 19072021
EXHIBITION 2: #WorkTownGhostTown: Henry Iddon, Kate Yates, Dawn Mander, Claire Walmsley Griffiths
5 July – 11 September, Grundy Forecourt
This exhibition brings together the work of four locally based photographers who have been documenting Blackpool in and out of lockdown over the last 16 months.
During this time, 100’s of photographs have been taken, many of which have already been circulated digitally by the photographers themselves and/or by the Grundy and its social media channels.
This new exhibition brings together a number of previously unseen images and document not just the changing seasons but show the ebb and flow of the town as its residents, visitors, businesses and amenities respond to the changing restrictions of the global COVID 19 pandemic.
Each of the four photographers will be represented by two photographs, with the images themselves having been transferred to vinyl film and displayed on the glass panels that form part of Grundy’s forecourt outside the front of the building.
WorkTownGhostTown is influenced by the The Mass-Observation study of Bolton and Blackpool (1937-40), known as the Worktown Project, in which Blackpool is heavily profiled as a site of mass tourism and pilgrimage for working people.
This exhibition forms part of Grundy Art Gallery’s ongoing Forecourt Commissions series. Past projects have included presentations by Simeon Barclay (2015) and Jenny Steele (2016).
Image Credit: Kate M Yates, WorkTownGhostTown.
110th Anniversary Logo
Marrying the past and present, Grundy Art Gallery’s 110th anniversary logo takes its inspiration from an ink stamp that was historically used to identify items brought into Grundy’s permanent collection. It also echoes the design of Blackpool’s world famous sticks of rock. The logo will take on different colour schemes throughout the year to mark calendar dates of celebration and commemoration, such as LGBT+ History Month and the International Day of People with Disabilities.